A SOUND STRUCTURE

Immediately apparent is the offset soundhole which neatly accompanies a 20 'plus five' fret fingerboard.  This strategic placement allows unimpeded sound wave projection since the hand does not block this air disturbance when playing.  Relocation higher into the upper bout also offers an increase in the primary vibrating area of the top.  This factor alone contributes towards achieving an increase in volume.

Internally, a strong light-weight tubular support is held firmly in place to counteract string tension forces.  This carbon fibre tube is positioned along centreline, underneath and clear of the soundboard, between the upper and lower bout rib blocks.  Special fittings at both ends allow the maker to install and adjust the tubular element just prior to stringing and setup.  No further maintenance is required.  In conjunction with laminated linings, a very rigid framework is thus established for the body of the guitar to support both the soundboard and neck.  Undue stresses are relieved thereby eliminating unwanted  distortions affecting the top's ability to move freely.  The soundboard becomes a more efficient radiator and less vibrational energy is lost.  Of course, tonewood choice and bracing strategies play a significant role in tailoring the sound produced.  Curved bracing elements on a solid wood top is currently being offered.

This latest design features a cantilevered neck extension, providing an elevated fingerboard that is free from the top.  The neck orientation relative to the body remains very stable.  This translates into improved playability and overall instrument longevity.